domesticate the vacuum using flexible material.
Monday, December 1, 2008
Aluminum Boat Steering Consoles
threatening
occupy the spaces with lightness and flexibility to react with the material present on the place. In ocurence here in action to clean this space dust that role occupancy.
occupy the spaces with lightness and flexibility to react with the material present on the place. In ocurence here in action to clean this space dust that role occupancy.
Thursday, August 7, 2008
Microsoft Messenger Changing Name
the ground floor of the city
ECObox initiative is a self-managed by the architecture studio. It offers investment by residents of Chapel fallow space and its transformation into a garden and participatory meeting place and discussion.
http://multitudes.samizdat.net/Au-rez-de-chaussee-de-la-ville.html 
ECObox initiative is a self-managed by the architecture studio. It offers investment by residents of Chapel fallow space and its transformation into a garden and participatory meeting place and discussion.
http://multitudes.samizdat.net/Au-rez-de-chaussee-de-la-ville.html
Thursday, July 31, 2008
Watch Free Movies In Spanish
Pleasantly surprised by falling on this site, especially the introductory text with words for us are also the foundations of our thinking as "revealing" and "wake up".
"Addendum is a collective reflection and action in urban space occupied territories to work on existing ones to wake them up. Reveal what surrounds us, which escapes us. Act on non-places, transforming them to restore a sense, a new reading, go to the context, offering new poetry. "
That now we still have to look a little closer to their work and I think we can talk.
www.additif.ch
Saturday, July 26, 2008
Friday, July 25, 2008
How To Recover From A Rupsured Cest
video material to be
Putting into practice the approach this time with a net 18m square with a side mesh 54cm X 54cm.
Given the large area, the site of action was chosen by default, initially, to fully extend the net. Following the operation was performed in the same place in a natural way with sometimes called into question the very choice of the place. After
spread on the ground, the first desire is to see it rise, anchored at the site and the height to live in the practitioner.
hindsight how the process is contrary to our thinking. A priori choice of space is reflected. The place must be scrutinized, practice, to address the various points of the hooks more obvious and accessible to as hidden. In this action research is done progressively. In my opinion the handling of the matter which was one of the first times we asked already strong investment partly explaining the contradiction in the procedure.
such a surface poses different problems and notament loads can sometimes be quite significant binding. But also, the initial difficulties were felt to flatten the net, just over two hours to untangle!
Faced with such a mass, we became interested in the use of equipment to ease the handling of the net. The use of pulleys reduces the effort at first but interest is also in motion. At any time some items may be dropped and others may rise. The pulley
not solved the problem entirely by the maximun voltage which until now it's still doing it manually. We could point to tools that can then step in part to this difficulty as the handful of escalation that allows a better grip but also the strong pull that it can get a maximun voltage and also block.
Eight days we were past or try multiple options available to the net. Using numerous hanging points, search for new, sometimes improbable to us early, which was hidden track down those ... Sometimes the net took the form of a deformed surface to the beginnings of volumes.
Suffice to say that there have been moments of doubt, never be satisfied. Continue to deform by trying new, delete others, then undo everything to start ... and so on. This game
spaces between the net and determines that there is no determination. There are directions, many directions but no certainty, no truth.
The regular pattern of the net allows it to highlight the tensions existing between a set of points so that both visual but also in terms of body experience. But tensions between a set of points also involves detention areas spotted in the same way.
The net is a tool to reveal. Everything to prove his intrinsic importance but can not be separated. Tensions involve détensions and vice versa. Maybe here we can see a vague outline of an example of the concept of "empty & full. I will not venture more than that for the moment, it is a subject to study.
These tensions are extremely noticeable and détensions in practice body of the net. Travelling on the matter was even easier on the tensions. These areas of tension allowing the body to balance (rather precarious anyway) to get around. The movement was therefore guided by the surfaces in tension, while the areas offered détensions more emotional space where the body was giving form to matter (uncomfortable owed to the frame width).
The experience of the body on the "surface" assimilated also to exploration. We felt Privileged to survey the void, where, perhaps no body had ever been. Our gaze might land on the environment with new points of views.
An exploration of empty territories, immaterial where the only thing to see is of a visual and emotional exploration lightly. 
Putting into practice the approach this time with a net 18m square with a side mesh 54cm X 54cm.
Given the large area, the site of action was chosen by default, initially, to fully extend the net. Following the operation was performed in the same place in a natural way with sometimes called into question the very choice of the place. After
spread on the ground, the first desire is to see it rise, anchored at the site and the height to live in the practitioner.
hindsight how the process is contrary to our thinking. A priori choice of space is reflected. The place must be scrutinized, practice, to address the various points of the hooks more obvious and accessible to as hidden. In this action research is done progressively. In my opinion the handling of the matter which was one of the first times we asked already strong investment partly explaining the contradiction in the procedure.
such a surface poses different problems and notament loads can sometimes be quite significant binding. But also, the initial difficulties were felt to flatten the net, just over two hours to untangle!
Faced with such a mass, we became interested in the use of equipment to ease the handling of the net. The use of pulleys reduces the effort at first but interest is also in motion. At any time some items may be dropped and others may rise. The pulley
not solved the problem entirely by the maximun voltage which until now it's still doing it manually. We could point to tools that can then step in part to this difficulty as the handful of escalation that allows a better grip but also the strong pull that it can get a maximun voltage and also block.
Eight days we were past or try multiple options available to the net. Using numerous hanging points, search for new, sometimes improbable to us early, which was hidden track down those ... Sometimes the net took the form of a deformed surface to the beginnings of volumes.
Suffice to say that there have been moments of doubt, never be satisfied. Continue to deform by trying new, delete others, then undo everything to start ... and so on. This game
spaces between the net and determines that there is no determination. There are directions, many directions but no certainty, no truth.
The regular pattern of the net allows it to highlight the tensions existing between a set of points so that both visual but also in terms of body experience. But tensions between a set of points also involves detention areas spotted in the same way.
The net is a tool to reveal. Everything to prove his intrinsic importance but can not be separated. Tensions involve détensions and vice versa. Maybe here we can see a vague outline of an example of the concept of "empty & full. I will not venture more than that for the moment, it is a subject to study.
These tensions are extremely noticeable and détensions in practice body of the net. Travelling on the matter was even easier on the tensions. These areas of tension allowing the body to balance (rather precarious anyway) to get around. The movement was therefore guided by the surfaces in tension, while the areas offered détensions more emotional space where the body was giving form to matter (uncomfortable owed to the frame width).
The experience of the body on the "surface" assimilated also to exploration. We felt Privileged to survey the void, where, perhaps no body had ever been. Our gaze might land on the environment with new points of views.
An exploration of empty territories, immaterial where the only thing to see is of a visual and emotional exploration lightly.
Thursday, July 10, 2008
Green Green Episode 13: Erolutions (ova) Uncen
the hook to form the primer
Reflection on the hook point.
It has long talked about the hang point without necessarily develop. The hook point is for us a basis of the occupation of "empty". Without hanging points deployment of the material is not possible. The interest comes from the hanging points that determine the possible forms.
These points are hooks for the production of forms of physical points that can pass the rope to hang or put in tension and guide the directions in our facilities.
What we try to show is that the hook point is generator. What is our vision at the start by a "hook point" becomes our practice an "initiation point" to the emergence of forms, volumes, experiences of the body in space.
Now we can make distingtion between grip and primer. The grip is purely physical and material so used to implement suspention matter. But beyond that, we see it as a primer, it is the presence and the establishment of a place that forms a part of his identity. The primer is there to signify that everything is becoming, as the frozen state is not natural.
Initiate opportunities occupations guided by the environment in a physical way.
Putting aside the subjective processes and forms of architecture unique to each person's gaze.
Challenging the laws that regulate our living spaces to unify a vision. Reveal
to appreciate what the city has such potential in its constitution, its facilities, its organizations. 
Reflection on the hook point.
It has long talked about the hang point without necessarily develop. The hook point is for us a basis of the occupation of "empty". Without hanging points deployment of the material is not possible. The interest comes from the hanging points that determine the possible forms.
These points are hooks for the production of forms of physical points that can pass the rope to hang or put in tension and guide the directions in our facilities.
What we try to show is that the hook point is generator. What is our vision at the start by a "hook point" becomes our practice an "initiation point" to the emergence of forms, volumes, experiences of the body in space.
Now we can make distingtion between grip and primer. The grip is purely physical and material so used to implement suspention matter. But beyond that, we see it as a primer, it is the presence and the establishment of a place that forms a part of his identity. The primer is there to signify that everything is becoming, as the frozen state is not natural.
Initiate opportunities occupations guided by the environment in a physical way.
Putting aside the subjective processes and forms of architecture unique to each person's gaze.
Challenging the laws that regulate our living spaces to unify a vision. Reveal
to appreciate what the city has such potential in its constitution, its facilities, its organizations.
Denise Milani And Augmentation
deformation shape strain
Thursday, July 3: A meeting with Gilles Ebersolt to retrieve equipment. Provision of nets (different shapes and sizes) and strings.
Monday, July 7: departure to Chalon for a new assignment related festival "Chalon dans la rue".
The deployment of the material recovered three equilateral triangular nets with very small mesh side 3m50, including a game that has a manhole (mesh square shape mesh side 18M 54cm), and bulk strings.
assembly of the three nets for a triangular pyramid shape with a rope by braiding.
Once the volume obtained, setting suspention under a crane. The pyramid is oriented to the points of hooks present on the site. The tension of such a volume had to be extremely difficult to hanging points that are not necessarily in the right axis.
Re-tention of the volume by inserting new tensions with new issues. This re-tention implies a geometric deformation of the initial volume to a more organic. Morphing process guided by the points accoches on site. The form, which initially was common and not responding instead, becomes a characteristic shape and instead given to the potential it offers. The tension of the strings
highlight future new spaces, structures awaiting occupation. Coupling meshes in order to realize a new surface.
The possibility of proliferation seems endless. Only the lack of material just slow down any expansion.
(in brackets): Surfaces and Volumes products allow human occupancy. The body in these spaces product itself to new tensions, new strains. The experience of these spaces allow for different positions and grows to a spatial redistribution internally. 
Thursday, July 3: A meeting with Gilles Ebersolt to retrieve equipment. Provision of nets (different shapes and sizes) and strings.
Monday, July 7: departure to Chalon for a new assignment related festival "Chalon dans la rue".
The deployment of the material recovered three equilateral triangular nets with very small mesh side 3m50, including a game that has a manhole (mesh square shape mesh side 18M 54cm), and bulk strings.
assembly of the three nets for a triangular pyramid shape with a rope by braiding.
Once the volume obtained, setting suspention under a crane. The pyramid is oriented to the points of hooks present on the site. The tension of such a volume had to be extremely difficult to hanging points that are not necessarily in the right axis.
Re-tention of the volume by inserting new tensions with new issues. This re-tention implies a geometric deformation of the initial volume to a more organic. Morphing process guided by the points accoches on site. The form, which initially was common and not responding instead, becomes a characteristic shape and instead given to the potential it offers. The tension of the strings
highlight future new spaces, structures awaiting occupation. Coupling meshes in order to realize a new surface.
The possibility of proliferation seems endless. Only the lack of material just slow down any expansion.
(in brackets): Surfaces and Volumes products allow human occupancy. The body in these spaces product itself to new tensions, new strains. The experience of these spaces allow for different positions and grows to a spatial redistribution internally.
Sunday, July 6, 2008
Collection Of Blood Vessels On Lip
& reverse
Discover your environment from a different angle, that is contrary to our sense of displacement.
During a night walk in the idea of taking some pictures of my trip guided camera lens. Always taken photos of what was in front of me, my feet above my head. But ... why not look back either! What happens there in my back?
Walking back was a game that I share with my classmates in my childhood. Now an adult, can it still fun?
Contrary to what I felt before, then I was anxious. Anxious about what is happening once again behind my back, afraid of tripping, hitting me or being caught by someone. The transition from adult to child is a shift of awareness of the danger inihbe experience of the body in space. It was natural that we all became suddenly forced and sometimes associated with personal experiences but unfortunately sometimes to preconceived cultural.
Can we trust our urban environment? Is it really home the fact that we hang out every day and settled habits in our way of life in relation to neighborhood, street or even directions to get to our work? "No" ... Our bodies do not really get used to this place so condensed, so impersonal, so immense. Transcending
habits can help bring a new look, feel new sensations, to know or recognize its environment and its body. 
Discover your environment from a different angle, that is contrary to our sense of displacement.
During a night walk in the idea of taking some pictures of my trip guided camera lens. Always taken photos of what was in front of me, my feet above my head. But ... why not look back either! What happens there in my back?
Walking back was a game that I share with my classmates in my childhood. Now an adult, can it still fun?
Contrary to what I felt before, then I was anxious. Anxious about what is happening once again behind my back, afraid of tripping, hitting me or being caught by someone. The transition from adult to child is a shift of awareness of the danger inihbe experience of the body in space. It was natural that we all became suddenly forced and sometimes associated with personal experiences but unfortunately sometimes to preconceived cultural.
Can we trust our urban environment? Is it really home the fact that we hang out every day and settled habits in our way of life in relation to neighborhood, street or even directions to get to our work? "No" ... Our bodies do not really get used to this place so condensed, so impersonal, so immense. Transcending
habits can help bring a new look, feel new sensations, to know or recognize its environment and its body.
Monday, June 30, 2008
Cardboard Coffin Planshalloween
first test Eui-Suk balance
Challenging the work we do and especially how it is conducted by both faculty and from us. What is the purpose of this work, what is the process? Is the purpose or the search process, or both, which seem most interesting? Does temporality becomes an obstacle when deadlines are needed?
The following diagram attempts to transcribe more comprehensively Drive six months of work and the questions we face. 
Challenging the work we do and especially how it is conducted by both faculty and from us. What is the purpose of this work, what is the process? Is the purpose or the search process, or both, which seem most interesting? Does temporality becomes an obstacle when deadlines are needed?
The following diagram attempts to transcribe more comprehensively Drive six months of work and the questions we face.
Thursday, June 26, 2008
Silicone Breasts Repair
CHO
nature lost and sometimes found.
All the people wondering if i am really insane 
nature lost and sometimes found.
All the people wondering if i am really insane
What Jason Voorhees Wears
Handbook of non-use of cards
Disclosecity
entry. The entrance door has not preferred. The
point. The trail leads to the very idea of the route and it does not end there. IN Cursus
Journey. The route follows the instinctivity people, their interests, how they place themselves in relation to knowledge.
One can start with the idea of the project, happen to the shares. One can start actions to achieve the actions. You can open a blog or open and close it right away to see something else. Marked
a starter and a path for us is a way of ordering things in contradiction with either the project is our desire to continue with our approach.
For 6 months the project has grown and has evolved from different discourses and experiences, chaotically led to the construction of installations and ephemeral concepts, in the obligation to follow the temporal order.
speech ahead with deleting the blog with the time elements. The blog archives. This becomes a past interview.
Sometimes we had almost hate to have arrived at a fixed point, for having the presumption of an idea to a final short time or there was nothing to add.
Nothing to add but plenty to add.
The work is presented in a sorter that allowing the bed to see immediately the most interesting parts for him to move in different directions, do tricks.
Disclosecity
Blog
Disclose city
sticky
action
reference
story drift
Disclosecity
entry. The entrance door has not preferred. The
point. The trail leads to the very idea of the route and it does not end there. IN Cursus
Journey. The route follows the instinctivity people, their interests, how they place themselves in relation to knowledge.
One can start with the idea of the project, happen to the shares. One can start actions to achieve the actions. You can open a blog or open and close it right away to see something else. Marked
a starter and a path for us is a way of ordering things in contradiction with either the project is our desire to continue with our approach.
For 6 months the project has grown and has evolved from different discourses and experiences, chaotically led to the construction of installations and ephemeral concepts, in the obligation to follow the temporal order.
speech ahead with deleting the blog with the time elements. The blog archives. This becomes a past interview.
Sometimes we had almost hate to have arrived at a fixed point, for having the presumption of an idea to a final short time or there was nothing to add.
Nothing to add but plenty to add.
The work is presented in a sorter that allowing the bed to see immediately the most interesting parts for him to move in different directions, do tricks.
Disclosecity
Blog
Disclose city
sticky
action
reference
story drift
Mount Blade Expansion Indir
a trait a trait
trade and organization of work is a set of lines
creating relationships that make living space
different ways.
Urbanism and the hierarchy of the different parts of the city
are based on the report to the church, most point
important to the city.
EX 3 or "When we trace the points of interest"
Work organization at the port of Naples
Assisi. The church as a landmark 
trade and organization of work is a set of lines
creating relationships that make living space
different ways.
Urbanism and the hierarchy of the different parts of the city
are based on the report to the church, most point
important to the city.
EX 3 or "When we trace the points of interest"
Work organization at the port of Naples
Assisi. The church as a landmark
Mac Nc20 In Revlon Colorstay
3 2 1
The line shape of the voids, between the wealth of
undesirable. A trait that separates rallies,
forces and materials of a neutral (or intended to
death).
The line as a liaison. It is clear that the concentration
energy of the city is in the act of occupying
the other side of river. Example of a skirmish
economic, social and symbolic of the city of Istanbul, which through its
bridges based its character and charm
crossing between Europe and Asia.
EX 2 or "When we trace the need for land"
border state Israel - Palestinian population
Istanbul 
The line shape of the voids, between the wealth of
undesirable. A trait that separates rallies,
forces and materials of a neutral (or intended to
death).
The line as a liaison. It is clear that the concentration
energy of the city is in the act of occupying
the other side of river. Example of a skirmish
economic, social and symbolic of the city of Istanbul, which through its
bridges based its character and charm
crossing between Europe and Asia.
EX 2 or "When we trace the need for land"
border state Israel - Palestinian population
Istanbul
Kawasaki Let The Good Times Roll Ringtone
The separation of populations, the needs and the need
of belonging to a group set of features in the geography of the territory
, signs that are not obvious ,
who are not real but that touch of reality in a way
sometimes very violent.
1 or EX "When you trace the ownership"
border Mexico - U.S. border
USA - Russia
Jergens Face Cream Australia
a trait critical POS-PLU
From texts on the POS (Plan land use) and the PLU (local plan) Live from the "Dictionary Planning and Development "written under the direction of Françoise Choay and Pierre Merlin, an attempt by a critical reading of texts somewhat digestible.
Critics are raw within the immediate thought of reading. They can be either the order of questioning, consternation, approval ... or second degree.
pdf file CRITICAL POS-PLU 
From texts on the POS (Plan land use) and the PLU (local plan) Live from the "Dictionary Planning and Development "written under the direction of Françoise Choay and Pierre Merlin, an attempt by a critical reading of texts somewhat digestible.
Critics are raw within the immediate thought of reading. They can be either the order of questioning, consternation, approval ... or second degree.
pdf file CRITICAL POS-PLU
What Is The Tech Deck App
braiding in the silo
the center of the silos, a motor can rotate vertical. On the vertical axis, a second axis is activated but it is oriented horizontally. We set here several strings on the vertical axis and different hanging points on the silo to to braid the ropes. 
the center of the silos, a motor can rotate vertical. On the vertical axis, a second axis is activated but it is oriented horizontally. We set here several strings on the vertical axis and different hanging points on the silo to to braid the ropes.
Animated Powerpoint Template Of Tapeworm
first action taken upon arrival at the test site. The swing: comfort the child who plays and who is always looking to go higher.
Things To Get Drunk Off For Underage
expension swing rope elevator installation
photomontage post-installation in the elevator 
photomontage post-installation in the elevator
Consumer Reports Slimming T-shirts
the silo, machine imaginary
photo editing post-installation in the elevator 
photo editing post-installation in the elevator
Friday, May 23, 2008
How To Transfer Songs From Shareaza To Ipod
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2009-07-02
2009-07-02
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