Thursday, July 31, 2008
Watch Free Movies In Spanish
Pleasantly surprised by falling on this site, especially the introductory text with words for us are also the foundations of our thinking as "revealing" and "wake up".
"Addendum is a collective reflection and action in urban space occupied territories to work on existing ones to wake them up. Reveal what surrounds us, which escapes us. Act on non-places, transforming them to restore a sense, a new reading, go to the context, offering new poetry. "
That now we still have to look a little closer to their work and I think we can talk.
www.additif.ch
Saturday, July 26, 2008
Friday, July 25, 2008
How To Recover From A Rupsured Cest
video material to be
Putting into practice the approach this time with a net 18m square with a side mesh 54cm X 54cm.
Given the large area, the site of action was chosen by default, initially, to fully extend the net. Following the operation was performed in the same place in a natural way with sometimes called into question the very choice of the place. After
spread on the ground, the first desire is to see it rise, anchored at the site and the height to live in the practitioner.
hindsight how the process is contrary to our thinking. A priori choice of space is reflected. The place must be scrutinized, practice, to address the various points of the hooks more obvious and accessible to as hidden. In this action research is done progressively. In my opinion the handling of the matter which was one of the first times we asked already strong investment partly explaining the contradiction in the procedure.
such a surface poses different problems and notament loads can sometimes be quite significant binding. But also, the initial difficulties were felt to flatten the net, just over two hours to untangle!
Faced with such a mass, we became interested in the use of equipment to ease the handling of the net. The use of pulleys reduces the effort at first but interest is also in motion. At any time some items may be dropped and others may rise. The pulley
not solved the problem entirely by the maximun voltage which until now it's still doing it manually. We could point to tools that can then step in part to this difficulty as the handful of escalation that allows a better grip but also the strong pull that it can get a maximun voltage and also block.
Eight days we were past or try multiple options available to the net. Using numerous hanging points, search for new, sometimes improbable to us early, which was hidden track down those ... Sometimes the net took the form of a deformed surface to the beginnings of volumes.
Suffice to say that there have been moments of doubt, never be satisfied. Continue to deform by trying new, delete others, then undo everything to start ... and so on. This game
spaces between the net and determines that there is no determination. There are directions, many directions but no certainty, no truth.
The regular pattern of the net allows it to highlight the tensions existing between a set of points so that both visual but also in terms of body experience. But tensions between a set of points also involves detention areas spotted in the same way.
The net is a tool to reveal. Everything to prove his intrinsic importance but can not be separated. Tensions involve détensions and vice versa. Maybe here we can see a vague outline of an example of the concept of "empty & full. I will not venture more than that for the moment, it is a subject to study.
These tensions are extremely noticeable and détensions in practice body of the net. Travelling on the matter was even easier on the tensions. These areas of tension allowing the body to balance (rather precarious anyway) to get around. The movement was therefore guided by the surfaces in tension, while the areas offered détensions more emotional space where the body was giving form to matter (uncomfortable owed to the frame width).
The experience of the body on the "surface" assimilated also to exploration. We felt Privileged to survey the void, where, perhaps no body had ever been. Our gaze might land on the environment with new points of views.
An exploration of empty territories, immaterial where the only thing to see is of a visual and emotional exploration lightly.
Putting into practice the approach this time with a net 18m square with a side mesh 54cm X 54cm.
Given the large area, the site of action was chosen by default, initially, to fully extend the net. Following the operation was performed in the same place in a natural way with sometimes called into question the very choice of the place. After
spread on the ground, the first desire is to see it rise, anchored at the site and the height to live in the practitioner.
hindsight how the process is contrary to our thinking. A priori choice of space is reflected. The place must be scrutinized, practice, to address the various points of the hooks more obvious and accessible to as hidden. In this action research is done progressively. In my opinion the handling of the matter which was one of the first times we asked already strong investment partly explaining the contradiction in the procedure.
such a surface poses different problems and notament loads can sometimes be quite significant binding. But also, the initial difficulties were felt to flatten the net, just over two hours to untangle!
Faced with such a mass, we became interested in the use of equipment to ease the handling of the net. The use of pulleys reduces the effort at first but interest is also in motion. At any time some items may be dropped and others may rise. The pulley
not solved the problem entirely by the maximun voltage which until now it's still doing it manually. We could point to tools that can then step in part to this difficulty as the handful of escalation that allows a better grip but also the strong pull that it can get a maximun voltage and also block.
Eight days we were past or try multiple options available to the net. Using numerous hanging points, search for new, sometimes improbable to us early, which was hidden track down those ... Sometimes the net took the form of a deformed surface to the beginnings of volumes.
Suffice to say that there have been moments of doubt, never be satisfied. Continue to deform by trying new, delete others, then undo everything to start ... and so on. This game
spaces between the net and determines that there is no determination. There are directions, many directions but no certainty, no truth.
The regular pattern of the net allows it to highlight the tensions existing between a set of points so that both visual but also in terms of body experience. But tensions between a set of points also involves detention areas spotted in the same way.
The net is a tool to reveal. Everything to prove his intrinsic importance but can not be separated. Tensions involve détensions and vice versa. Maybe here we can see a vague outline of an example of the concept of "empty & full. I will not venture more than that for the moment, it is a subject to study.
These tensions are extremely noticeable and détensions in practice body of the net. Travelling on the matter was even easier on the tensions. These areas of tension allowing the body to balance (rather precarious anyway) to get around. The movement was therefore guided by the surfaces in tension, while the areas offered détensions more emotional space where the body was giving form to matter (uncomfortable owed to the frame width).
The experience of the body on the "surface" assimilated also to exploration. We felt Privileged to survey the void, where, perhaps no body had ever been. Our gaze might land on the environment with new points of views.
An exploration of empty territories, immaterial where the only thing to see is of a visual and emotional exploration lightly.
Thursday, July 10, 2008
Green Green Episode 13: Erolutions (ova) Uncen
the hook to form the primer
Reflection on the hook point.
It has long talked about the hang point without necessarily develop. The hook point is for us a basis of the occupation of "empty". Without hanging points deployment of the material is not possible. The interest comes from the hanging points that determine the possible forms.
These points are hooks for the production of forms of physical points that can pass the rope to hang or put in tension and guide the directions in our facilities.
What we try to show is that the hook point is generator. What is our vision at the start by a "hook point" becomes our practice an "initiation point" to the emergence of forms, volumes, experiences of the body in space.
Now we can make distingtion between grip and primer. The grip is purely physical and material so used to implement suspention matter. But beyond that, we see it as a primer, it is the presence and the establishment of a place that forms a part of his identity. The primer is there to signify that everything is becoming, as the frozen state is not natural.
Initiate opportunities occupations guided by the environment in a physical way.
Putting aside the subjective processes and forms of architecture unique to each person's gaze.
Challenging the laws that regulate our living spaces to unify a vision. Reveal
to appreciate what the city has such potential in its constitution, its facilities, its organizations.
Reflection on the hook point.
It has long talked about the hang point without necessarily develop. The hook point is for us a basis of the occupation of "empty". Without hanging points deployment of the material is not possible. The interest comes from the hanging points that determine the possible forms.
These points are hooks for the production of forms of physical points that can pass the rope to hang or put in tension and guide the directions in our facilities.
What we try to show is that the hook point is generator. What is our vision at the start by a "hook point" becomes our practice an "initiation point" to the emergence of forms, volumes, experiences of the body in space.
Now we can make distingtion between grip and primer. The grip is purely physical and material so used to implement suspention matter. But beyond that, we see it as a primer, it is the presence and the establishment of a place that forms a part of his identity. The primer is there to signify that everything is becoming, as the frozen state is not natural.
Initiate opportunities occupations guided by the environment in a physical way.
Putting aside the subjective processes and forms of architecture unique to each person's gaze.
Challenging the laws that regulate our living spaces to unify a vision. Reveal
to appreciate what the city has such potential in its constitution, its facilities, its organizations.
Denise Milani And Augmentation
deformation shape strain
Thursday, July 3: A meeting with Gilles Ebersolt to retrieve equipment. Provision of nets (different shapes and sizes) and strings.
Monday, July 7: departure to Chalon for a new assignment related festival "Chalon dans la rue".
The deployment of the material recovered three equilateral triangular nets with very small mesh side 3m50, including a game that has a manhole (mesh square shape mesh side 18M 54cm), and bulk strings.
assembly of the three nets for a triangular pyramid shape with a rope by braiding.
Once the volume obtained, setting suspention under a crane. The pyramid is oriented to the points of hooks present on the site. The tension of such a volume had to be extremely difficult to hanging points that are not necessarily in the right axis.
Re-tention of the volume by inserting new tensions with new issues. This re-tention implies a geometric deformation of the initial volume to a more organic. Morphing process guided by the points accoches on site. The form, which initially was common and not responding instead, becomes a characteristic shape and instead given to the potential it offers. The tension of the strings
highlight future new spaces, structures awaiting occupation. Coupling meshes in order to realize a new surface.
The possibility of proliferation seems endless. Only the lack of material just slow down any expansion.
(in brackets): Surfaces and Volumes products allow human occupancy. The body in these spaces product itself to new tensions, new strains. The experience of these spaces allow for different positions and grows to a spatial redistribution internally.
Thursday, July 3: A meeting with Gilles Ebersolt to retrieve equipment. Provision of nets (different shapes and sizes) and strings.
Monday, July 7: departure to Chalon for a new assignment related festival "Chalon dans la rue".
The deployment of the material recovered three equilateral triangular nets with very small mesh side 3m50, including a game that has a manhole (mesh square shape mesh side 18M 54cm), and bulk strings.
assembly of the three nets for a triangular pyramid shape with a rope by braiding.
Once the volume obtained, setting suspention under a crane. The pyramid is oriented to the points of hooks present on the site. The tension of such a volume had to be extremely difficult to hanging points that are not necessarily in the right axis.
Re-tention of the volume by inserting new tensions with new issues. This re-tention implies a geometric deformation of the initial volume to a more organic. Morphing process guided by the points accoches on site. The form, which initially was common and not responding instead, becomes a characteristic shape and instead given to the potential it offers. The tension of the strings
highlight future new spaces, structures awaiting occupation. Coupling meshes in order to realize a new surface.
The possibility of proliferation seems endless. Only the lack of material just slow down any expansion.
(in brackets): Surfaces and Volumes products allow human occupancy. The body in these spaces product itself to new tensions, new strains. The experience of these spaces allow for different positions and grows to a spatial redistribution internally.
Sunday, July 6, 2008
Collection Of Blood Vessels On Lip
& reverse
Discover your environment from a different angle, that is contrary to our sense of displacement.
During a night walk in the idea of taking some pictures of my trip guided camera lens. Always taken photos of what was in front of me, my feet above my head. But ... why not look back either! What happens there in my back?
Walking back was a game that I share with my classmates in my childhood. Now an adult, can it still fun?
Contrary to what I felt before, then I was anxious. Anxious about what is happening once again behind my back, afraid of tripping, hitting me or being caught by someone. The transition from adult to child is a shift of awareness of the danger inihbe experience of the body in space. It was natural that we all became suddenly forced and sometimes associated with personal experiences but unfortunately sometimes to preconceived cultural.
Can we trust our urban environment? Is it really home the fact that we hang out every day and settled habits in our way of life in relation to neighborhood, street or even directions to get to our work? "No" ... Our bodies do not really get used to this place so condensed, so impersonal, so immense. Transcending
habits can help bring a new look, feel new sensations, to know or recognize its environment and its body.
Discover your environment from a different angle, that is contrary to our sense of displacement.
During a night walk in the idea of taking some pictures of my trip guided camera lens. Always taken photos of what was in front of me, my feet above my head. But ... why not look back either! What happens there in my back?
Walking back was a game that I share with my classmates in my childhood. Now an adult, can it still fun?
Contrary to what I felt before, then I was anxious. Anxious about what is happening once again behind my back, afraid of tripping, hitting me or being caught by someone. The transition from adult to child is a shift of awareness of the danger inihbe experience of the body in space. It was natural that we all became suddenly forced and sometimes associated with personal experiences but unfortunately sometimes to preconceived cultural.
Can we trust our urban environment? Is it really home the fact that we hang out every day and settled habits in our way of life in relation to neighborhood, street or even directions to get to our work? "No" ... Our bodies do not really get used to this place so condensed, so impersonal, so immense. Transcending
habits can help bring a new look, feel new sensations, to know or recognize its environment and its body.
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